Sabaton - Carolus Rex

So the mighty Sabaton are back again with Carolus Rex, an ambitious and possibly conceptual album about the rise and fall of the Swedish empire. Of course the band is fixated with all things military but this time they've decided to base their latest offering on their homeland's epic history.

To be honest I am not really too fussed what the songs are about as long as they are true Sabaton songs and stick to their tried and tested formula. The first thing I noticed about this release is the fantastic production from Peter Tagtgren. He made the band sound huge once again so props on that count. Secondly the thing I noticed most about the general mood of the album was that it was not really a joyous or happy in feel and in fact rather moody and emotional. Sure the riffs are bouncy on occasion but the general pace is fairly slow and allows the songs to make more of an emotional impact on the listener.

Having said all that after the epic slow intro (which actually reminds me of the theme music of Pirates of the Caribbean), the album starts off with the fastest song on the album, The Lion From The North. The pace is fast and riffs crisp until we reach the chorus which is sung with choirs backing Joakim in latin, Gustavus! Haroldus! etc etc... sounds epic and stratosphere bursting. The mid section choir build up is also typical Sabaton and has been heard in many previous songs. Perhaps not the most amazing Sabaton opener but after repeated plays I am liking it a fair deal but the best on this album is yet to come believe me.

Track 2 Gott Mit Uns was an instant classic as I heard it with it's sweet mid paced, glorious verse leading into an amazing chant along chorus. This song is just superb and made to be sung out loud at their gigs and they'd be mad to not play this live on their next tour. The feeling this song gives you as you listen is one of pure power and joy. The riffs are so melodic with a slight Celtic feel at times but it's that chorus that will get you in the end.

A Lifetime of War I thought was boring the first couple of times I heard it. It's actually a very sad song and I'm guessing won't be played live cause it will lower the mood somewhat. The keyboard is king in this song. The tempo of the song is close to songs like The Price of a Mile or The Final Solution. Speaking of that song I dearly love it and I wanted to love ALoW as much but I don't quite, not yet anyway. Although it is still an amazingly emotional song with chanting choirs helping Joakim with the chorus throughout.

1648 is up next and one of my fave songs on the album. It reminds me of material from The Art of War cause it's a bit more upbeat. It sounds a little like bit of 40:1 mixed with Attero Dominatus the song. Maybe they are ripping themselves off a bit but I don't really care really when the result is so amazing sweet on the ears.

The Calolean's Prayer sounds like The Art of War the song in all but name. However the song is completely amazing. It is my favourite song on the album. It is a slow military pumping beat with Joakim once again calling the Carlolean's to glorious, victorious battle. The keyboard is just magnificent in this song and sends chills up my spine however the chorus makes me want to take up arms and march alongside! The lyrics are awesome in this tune as well..."See the white in their eyes Carolean's are marching on!..." The song builds and builds to an almighty climax with Latin choirs piled on thick and a gorgeous solo and a return to that haunting call to arms chorus. A monument in the Sabaton song catalogue make no mistake.

Next is the title track which I've worn out since it was released as a promo song before the album's release and yet it is still a hugely epic and emotional slow build of a song. The riffs in this song are crushing when you pump them out loud and make you feeling like King Carolus himself! The self empowering chorus turns you from a pauper to a prince in a matter of seconds as it beckons you to bellow along. The song is of similar pace to the preceding song but it never bores you even for a second. This song must be played live and will go down a storm of that there is little doubt.

Of course the pace had to pick up  after two slow songs and what a brilliant way to pick it up with the awesome tune Killing Ground with it's sweet galloping guitars and Joakim's heartfelt powerful vocals. The chorus is one that will stay engraved on your brain after the first listen as you feel the power pulsing through your veins. The song is about Swedes killing the Saxons and ripping them a new one so to speak! An amazing song that I love to death and it's not even my fave on the album!

Poltava is a fastish paced tune again with a bouncy riff reminiscent of Ghost Division although not as heavy. The chorus rears it's big gorgeous head soon enough with chants of Poltava! and counterpoint lyrics making it catchy as a bad rash. Great stuff again and would be perfect live. This song is about a battle between the Russians and the Swedes although it's painful loss for the Swedes as they suffered countless casualties at that particular battle.The subject matter maybe a bit depressing but the song is truly memorable.

Long Live The King is again a slow and sad song with lyrics dealing with King Carolus's last days and finally his demise and death. The song is based around those famous Sabaton slow pumping riffs and rumbling bass lines whilst Joakim delivers the vocals with emotional depth and power. The chorus is epic and full of feeling as is the whole song. The solo in this tune is very beautiful too with an understated yet anthemic feel. I like the song but don't love it as yet but they may come with time. I guess because Carolus Rex the song and the Carolean's Prayer are so amazing that I am slightly down on this one but it's still and amazing slow song and a fitting end although the last track completes the story in truth.

Ruina Imperii is that final song proper although it feels more like an outro even though there are lyrics. The feel is mystical with Joakim using deep vocals with Latin and Swedish lyrics mixed although I'm not quite certain. The song is an interesting and moody end although I would have liked a more conventional or even epic 10 minute song to end with but that's me being greedy!

The bonus version of the album ends with a cover of Status Quo's In The Army which is heavified in the Sabaton way. I don't mind the song and it's cool but it doesn't do anything for me really. I guess it's probably a bit of a theme song from Joakim and Co and they've probably always wanted to cover it so I'm not gonna complain too much when the album before it rules so much.

Is this the best Sabaton album ever? I don't know about that yet. I think The Art of War is maybe still a tiny bit better but it is as good if not better than Coat of Arms with ease. I can't wait to hear how some of these songs will transfer over into the live arena of course and hopefully that will happen later on in the year. Until then I will be playing the crap out of this disk!

3 Inches of Blood Live Report

Well after the sheer disbelief and agony of watching the football and the miracles that unravelled before my eyes, I wearily made my way down to Camden for this gig which I must admit was not exactly leaving me chomping at the bit in excitement. I felt a bit drained from what happened in the football but anyway I put that out of mind and went to the gig ready for some metallic entertainment and boy did I get it!

Havok were up first and whipped up a furious storm with quite a dangerous pit erupting straight away for these young whippersnappers and their fast fluid thrash. The sound was a bit unclear for them but it didn't really hinder them at all as they piled on riff after vicious riff and started the night off in pretty much perfect fashion. Some of the nuances and technical skill of the band got somewhat lost but they more than made up for it with youthful energy.

Next up were Spaniards Angelus Apatrida whose new album The Call is a vicious little thrashing bastard of an album I can tell you for nothing. As a live proposition they pretty much aped their studio persona with a thrashing fiery haired fron tman with acid barks for vocals instigating a tornado of blistering riffs. The band were tight and a little more controlled than Havok but they were still as intense. However the pit never got anywhere near as crazy as it did for Havok which goes to show how much Havok are respected and loved by the true thrashers. Angelus Apatrida were still very good and solid though and the new songs from The Call sounded blistering although again their sound mix could have been a touch clearer. They also had a few Spaniards at the front shouting their name and a few words in Spanish to give them encouragement, not that they needed it cause they managed fine on their own.

Next up were Americans Goatwhore whose music I have basically not heard a single note of. I've heard them described as black/death mix with groovy riffs and it was the perfect description of their sound to be fair. They weren't really my cup of tea but they went down an absolute storm to be honest. They have a great big imposing frontman who screams out the evil lyrics with great abandon whilst mean face pulling the front rows and throwing horns and high fiving them at the same time. The band is very intense and quite groovy as described with a few nice time changes here and there. I'm still not sure I will check it out but they weren't actually horrible at all and like I said the crowd treated them as the headliner rather than 3iob almost with huge moshing and fervent fist banging throughout their set.

Finally the hairy metal monsters from Vancouver took to the stage at 10pm and tore straight into Metal Woman from the new album like men possessed. The crowd was actually less packed than it was for Goatwhore and the energy was somewhat dampened by the riots from the three previous bands but the band was only just warming up and the crowd finally got going with pits breaking out here there and everywhere with circle pits, with the infamous Underworld mid floor pole acting as pivot!

The 3 Inches boys were tight as hell and were afforded the best sound of the night to boot which is understandable with them being the head liners. Front man Cam Pipes was screaming his nuts off and the band were feeding off the frenzy of the crowd to pull of vicious tight riffs whilst maintaining their newly found more melodic angle. Leather Lord from the new album was completely mind blowing and nearly took the roof off the Underworld! They tore through the rest of their set like they had a train to catch or something but they never missed a beat and were super tight right through. Dark Messenger was another amazing tune sung with ear raping power by Cam Pipes. 4000 Torches another huge slab of molten heavy metal. After an hour or so their set finally ended and a hi-octane night of heavy metal was over. It was an enjoyable night of diverse true thrashing metal watched by a rabid metal hungry packed out crowd of 500. Can't really beat it can you!

City are Champions

I can hardly believe what has just happened. City scored twice in a minute or so and have won the title from a position of desperation against QPR. The title was in United's pocket and it's gone. Very hard to take. And I have to go to a gig tonight and this has put a right dampener on things. I just can't get my head around what I've jsut witnessed. Anyway going to see 3 Inches of Blood but damn what a day. "Football? Bloody hell!!!!" as Fergie says

Favourite albums of 2012 so far

So a third of the year has flown by and there's been plenty that I have liked so far. I think the thrash genre has given me most to enjoy this year with a lot of fantastic releases. Here is the list in alphabetical order.

3 Inches Of Blood - Long Live Heavy Metal

Accept - Stalingrad

Adrenaline Mob - Omerta

Aggression - Viocracy

Amberian Dawn - Circus Black

Angelus Apatrida - The Call

Axel Rudi Pell - Circle of the Oath

Bludvera - Terrorform

Brute - Sophisticated_Atrocity

Cannibal Corpse - Torture

Damnation Angels - Bringer Of Light

Derelict - Perpetuation

Dragonforce - The Power Within

Dynazty - Sultans Of Sin

Eternal Dream--The Fall Of Salanthine

Exumer - Fire & Damnation

Freedom Call - Land Of The Crimson Dawn

Gaia Epicus - Dark Secrets

Game Over - For Humanity

Gorod - A Perfect Absolution

H.E.A.T - Address The Nation

Hardline - Danger Zone

Hideous Divinity - Obeisance Rising

Ian Anderson - Thick as a Brick 2

Janus - Nox Aeris

Kissin’ Dynamite - Money, Sex & Power

Lacuna Coil - Dark Adrenaline

Lanfear - This Harmonic Consonance

Lyriel - Leverage

Mad Maze - Frames of Alienation

Morian - Ashen Empire

Municipal Waste - The Fatal Feast

Napalm Death - Utilitarian

Offending - Age of Perversion

Outloud - More Catastrophe 

Overkill - The Electric Age

Paradise Lost - Tragic Idol

Pharaoh - Bury The Light

Poets Of The Fall - Temple Of Thought

Primal Fear - Unbreakable

Psycroptic - The Inherited Repression

Rage - 21

Revel In Flesh - Deathevokation

Shinedown - Amaryllis

Skull Hammer - Destroyers of the Faith

Sonic Station - st

Soulfly - Enslaved

Suicidal Angels - Bloodbath

Sunstorm - Emotional Fire

Teramaze - Anhedonia

Testimony - Transcending Reality

The Veer Union - Divide The Blackened Sky

Thrashist Regime - Fearful Symmetry

Unisonic - st

West Of Hell--Spiral Empire

Words Of Farewell - Immersion

Xandria - Neverworld's End

Chelski through!

I am in general a passionate hater of the blues but tonight damn it all to hell I was a blue! One of the most incredible rearguard defensive displays of all time held Barcelona at the Nou Camp to a 2-2 all draw with Messi of all people missing a penalty to put 10 man Chelsea 3-1 down and almost certainly out. Staggering odds were laid for Chelsea to go equalize or Barca not to win and all of them went tits up when a break away lump up field left Torres with the keeper to beat which he duly rounded and rolled the ball into an empty net to crush the Catalans in the dying seconds. A totally incredible and unbelievable end to an astonishing match. I think I will go back to wanting Chelsea's opponents to win the final though!

Axel Rudi Pell live at the Underworld

I've been looking forward to this gig for a long long time since I am a huge fan of Axel's singer Johnny Gioeli from his early days in Hardline and his now quite long tenure in the ARP band. The guy has the kind of hard hitting, hard rock voice that few can match in the modern age in my opinion. Before arriving I had it in my mind that the show would be rather averagely attended but how wrong I was! The Underworld was I would say more than 3/4 full though not rammed. Probably close to 500 at a guess which is a very healthy turn out for a Sunday. I guess the melodic hard rock loving crowd have been starved of this kind of band and turned out in impressive numbers to show their appreciation.

I had my usual pre-gig Chicken Shish opposite the venue beforehand and it always goes down a treat and sets me up nicely for the rest of the night so to speak. I entered the venue at 7.30 and saw that Mad Max, the only support of the night, were due on at 8pm sharp so I settled on a decent vantage point stage right, as I'm looking and waited for Mad Max. To be honest I've only heard a few of their songs and have yet to hear any music from their new album Another Night of Passion. The German old timers strode on at 8 sharp and started off on their typical Germanic hard rock without much aplomb. Their basic chugga chugga hard rock riffs were ok but nothing really excited me too much. They were solid and an able warm up for Axel and co no doubt but not knowing the songs well hinders one's enjoyment somewhat. However the new tunes aired were cool enough for me to investigate further. Their guitar sound was rather heavy and perhaps a touch heavier than the head liners even, who of course are a one guitar band. Mad Max were decent but they just don't have the big melodic hooks that ARP has though they were enjoyable like I said.

At around 8.40 or so their set ended and the roadies got the stage ready for ARP. I must say that Mike Terrana's drum kit was one of the most extensive and impressive I have seen on the tiny Underworld stage. It took some assembling but finally the intro music started over the PA around 9.20 or so though I wasn't checking my watch exactly. The band took to the stage to a warm welcome from the rather packed Underworld before Johnny Gioeli finally ran on to the stage like the Tasmanian Devil himself! The guy was like a whirling, air guitaring ball of fired up energy as he got stuck into opener Ghost in the Black which was not a song I immediately recalled to be honest, but it was a cool as hell ripper anyway. The sound was pretty heavy and crisp and Johnny sounded immense and cut through the mix sharp as a pin with a slight echo effect on the mic which was pretty cool. Mr Pell cut an understated figure in comparison to Johnny and had the odd smile but he mainly settled down to play the riffs and solos to perfection. Ferdy and Volker on Keys and bass respectively looked happy especially Ferdy who is a bit of a character to say the least. Terrana on drums was a complete powerhouse. The guy is just a pounding machine on his drums with cymbal slams and snare blasts galore and he looks like he jumped in a swimming pool there's that much sweat pouring off the guy. He really nails the songs to perfection and gives them the heavy backbone that they need.

Having said all that this show and band is all about front man Johnny Gioeli. They guy's performance as a singer and happy go lucky front man was really something to be hold. Constantly smiling and gesticulating and air guitaring when not singing, and when singing pulling out heart stopping powerhouse vocals which are even better live than they are on record. He has quite a different tone when singing live than in the studio with a more acidic bite to his vocals which makes the songs sound much heavier and better still. Strong As A Rock is one of the best and catchiest ARP songs of the Johnny fronted era and was sung back at Johnny very loudly indeed. Before I die from the new album was awesome with it's slightly funky groovy vocal lines. Awesome stuff indeed! The Masquerade Ball was the first epic of the nigh which was turned into a sort of medley with two other songs in between. The chorus of TMB is deadly awesome and was sung loud and proud by the crowd. The end of the song saw a few bars of Whole Lotta Love which was kind of cool and unexpected.

Then we had Terrana's drum solo with him going nuts and sweating like the chief sweater at world sweat championships! I'm not into drum solos but I guess it's not rock'n'roll unless you have one. The title and brilliant track Mystica from the album of the same name was up next with it's brilliant, awe inspiring chorus sung with spine chilling power by both Johnny and the crowd. The end of the was turned into Purple's Mistreated which was again a slight surprise but the crowd seem to love it or at least the Purpleheads did.

Next up was the epic title track of the new album and was again very cool although the song is not really my fave on the new album as I need to listen to it a little more although the repeated chorus does get under your skin after a while. Fool Fool was brilliantly catchy and sung damn well and with a large contingent of the crowd singing along to it's happy chorus. The last song of the set proper was one of the best and most anticipated ARP songs ever, namely Carousel with it's wonderfully catchy chorus and glorious tempo and general brilliance. Johnny's voice on this epic was stupendous I must say. What a sheer brilliant display of melodic hard rock vocals from Yankee boy!

Not one but two encores followed with Tearing Down the Vocals providing us with a great energetic fast paced rocker which was followed by I guess the oldest song of the night with the catchy title track from Nasty Reputation back when Rob Rock was in the band I believe. Very catchy song that I haven't heard in a long time although I do own that particular CD.

They left the stage again but the crowd asked for more and the band returned to hit us one more time with the anthem Rock The Nation with it's super catchy sing along chorus with full crowd participation of course.

My only gripe about the whole evening was that some of the solo spots could have been shortened and the extended medley with covers lessened or dropped to allow a couple more of their own tunes to be played. Other than that this was an awesome gig no doubt and the ARP band is one I highly recommend seeing live as they really play from the heart and in Johnny Gioeli they have a hard rock vocal God to be proud of and for me the best singer there's ever been in the ARP and there's been some great ones with JSS and Rob Rock. Johnny's live vocals are something else, being full of emotion, with power to spare and a great showman to boot, making the ARP live experience one to remember.

Set list and photos:

The Guillotine Suite 
Ghost in the Black 
Strong as a Rock 
Before I Die 
The Masquerade Ball / Casbah / Dreaming Dead 
(incl. snippet of 'Whole Lotta Rosie' by Led Zeppelin)
Drum Solo 
Mystica / Mistreated(Deep Purple cover)
Circle of the Oath 
Fool Fool 
Keyboard Solo 
Carousel 

Encore:
Tear Down the Walls 
Nasty Reputation 
Encore 2:
Rock the Nation

Obscura with support at the Camden Underworld

It's been a while coming but I've finally broken my gigging duck in 2012. And a great way to break it at that with a night of pure technical death metal insanity. When I first heard about this 4 band bill I thought damn I will be there like a shot and the ticket price was a bargain as well, at £10 for 4 bands. In the end a decent midweek crowd of roughly 300 or so turned out to witness these tech death magicians go through their paces.

First up were instrumental combo Exivious from Holland. These guys are as smooth as silk with their fluid, easy on the ear technical music. They do work up the odd head of steam but their brand of tech is quite relaxed in the main and allows the music plenty of room to breathe. The fretless bass playing was pretty nice to hear. The sound mix was pretty cool for Exivious. I enjoyed their set but it was obvious that most people were here for the other three acts in the main. A good start anyway for Cynic-lite tech fans.

Gorod got ready and goddamn they started like a freight train with vicious whirling drum and guitar riffs with fat grooves galore. The bass player was a mental nutcase pulling faces like a loon as he played and slapped his bass strings like rubber bands twanging away. The front man is a short haired dude who looks a bit metalcorish but he pulls some mean faces and is quite fun to look at as he gees up the moshers etc. The guitarists are just fucking unreal with snappy, heavy as hell tight grooving. Gorod were fucking immense and I paid them the honour of buying their new CD from the merch stall. Oh yeah and the sound for Gorod was absolutely intense as hell and wrecked my ears good and proper. A monstrous machine of a band.

Next up were uber complex Swedish tech death masters Spawn of Possession. These guys are a little bit more laid back than Gorod were in their on stage demeanour. Their sound was a touch worse than Gorod's and it was quite hard to make it out the bewildering complexity at times as things blurred into a complete note overload. Definitely the most complex band of the night and it was hard to make out the differences between the songs. How in God's name do they remember to play these songs though?? It's a miracle! They were tight as hell but their set wasn't as enjoyable and mental as Gorod's cause the Frenchies were absolutely fucking insane to be honest. Spawn were a tight and lean tech death killing machine but it was not quite their night for me. Lash by Lash from Noctambulant was easily the best and most memorable song.

At this stage we saw that whilst Obscura were getting ready, they were having trouble with one of the guitarist's amps and it had blown and as it turns out a second one had bust too! Finally I was thinking fuck they are going to play with only one guitarist as Christian's guitar didn't work but they somehow managed to find an amp from the Gorod guitarist and finally got that one working. Half an hour later than planned they finally took to the stage, but better late than never I say as they didn't waste a single note. The sound was a sharp as a cutthroat blade as the singer apologised for the delay and they sped through a totally blistering set of manic tech death. The drummer was totally on top of his game with clinical savage blasts but it's the guitarists who shone the most. These guys are just something else to watch. A blur of hair, fingers and wizard level guitar riffs jackhammering away in tight unison. An absolutely awesome sight from my viewpoint. You have to marvel at the skill level of musicians like these although the song writing is not always memorable, they still leave you in awe at their marvellous musicianship.

Obscura went down a storm like Gorod previously and got some pretty hefty pits going. Finally they left the stage at 11.20 or so but the chants for "One More Song!" went up soon and the smiling Germans came back and said their thank yous and the singer said well I'm not gonna introduce this song as you all know it anyway and the epic opening riff from Flesh and the Power it Holds resounded, crisp and clear, over the PA and the youngsters at the from went apeshit and I had a big shit eating grin on my face. I had made my way a little way back and I could hear the spirit of Chuck bounding through the song and their version was awe inspiring and spine-tingling if not even a little emotional. The moshing during the fast sections got pretty intense and the kids enjoyed the hell out of themselves and were bellowing the lyrics to this Chucky masterpiece. Just goes to show how much people loved Chuck's music and how much they still miss him. As the song ended the band got huge cheers and thank yous as the crowd dispersed having witnessed a great night of blistering technical death metal and I dread to think how many riffs were played last night!

Here are the photos.

Exivious:



Gorod:






Spawn of Possession:






Obscura: