Yes it's that time again. This year's death metal has been rather so so I must say. I always find albums to like though and I have found 40 worthy of my time though of course not everyone's!
40. Decimation - Anthems Of An Empyreal Dominion
Cool death metal with intricate riffing.
39. Diluvian – Epidemic
Tight and clinical tech death blastathon.
38. Made of Hate - Pathogen
Great riffed up melodeath with slightly raw production but tons of riffs to enjoy.
37. Revolting - The Terror Threshold
Old school death metal is king.
36. Heaving Earth - Diabolic Prophecies
Morbid Angel worship is king.
35. A Loathing Requiem - Psalms Of Misanthropy
Necrophagist worship is win but production is lose.
34. Synperium - Elemental Disharmony
Aussie staccato tech death but not quite as good as the best but solid nevertheless.
33. Ichor - Benthic Horizon
Brutality and death metal music with songs fixated with the sea.
32. The Absence - Enemy Unbound
Top quality melodic death metal a genre which I have slowly fallen out of love with but when it's done properly well who can resist.
31. Solerrain - Fighting The Illusion
Super dooper Bodom worship from the icy Russian wastes. Fast, melodic and well produced.
30. Cerberus - Redemption Of Demigod
Clinical and tight brutal death from our Chilean amigos. Comprende?
29. Overoth - Kingdom Of Shadows
Morbid Angel worship is king and then some as far as this band's concerned.
28. Fleshwrought – Dementia-Dyslexia
Well played tech death.
27. Sarcolytic - Thee Arcane Progeny
Super brutal and tight tech death.
26. Demiurg - Slakthus Gamleby
Classic old school death with Dan Swano and the man man Rogga Johannson
25. Inherit Disease - Visceral Transcendence
The most brutal album by far in my list. Not for the weak of will or heart. I know everyone hates it.
24. Sothoros - Flood The Stone
Again well played tech death with some melody as well.
23. Fleshrot – Traumatic_Reconfiguration
Standard cool death metal like Cannibal Corpse but faster.
22. Element - The Energy
Sci-fi tech death with clean sound. Like Detachment or Psyferia or bands of that ilk.
21. Atheist - Jupiter
I have very mixed views on this come back. The production sounds good but the arrangements sound very messy and disjointed to me. There's not much flow. I have never liked the vocals in Atheist and I continue to dislike them in fact I think he completely sucks as a "death metal growler singer or whatever". Having said that there are some amazing riffs on the album so all is not lost but for my ears this album could have been so much better if the songs were more catchy and focused.
20. Dawn Of Demise - A Force Unstoppable
Cool and heavy riffing death metal plain and simple.
19. Dark Tranquillity - We Are The Void
The kings of the genre gets darker and more blackened but still have class in spades.
18. Arsis - Starve for the Devil
Good solid melodic death metal with pristine production. I'll take them over Arch Enemy any day.
17. Zilla - Pragmatic Evolution
Melodic and tech death with slightly bad vocals but nice music. I'll get over the vox.
16. Entrails - Tales From The Morgue
Hahahaha! (that was supposed to be an evil laugh by the way!) Killer old school death with Sunlight guitar sound and all round catchy, deathly, ghostly, gravely, evilness.
15. Diskreet - Engage The Mechanicality
Brutal and tech death guys with much more tech sound than before with a cleaner production. Like it cerebral? Listen to Diskreet!
14. Flesh Consumed - Ecliptic Dimensions of Suffering
Brutal and tech death machine, very well played.
13. Hideous Deformity - Defoulment Of Human Purity
Really solid brutal tech death with great separation in the production and really solid all round.
12. Kalmah - 12 Gauge
The best melodeath album of the year with ease. Kalmah are real stalwarts of this genre now.
11. Severe Torture - Slaughtered
The European Corpse Worship Machine as I like to tag them. They know what the fuck they are doing and deliver brutality and hig precision level death metal.
10. Annotations Of An Autopsy - The Reign Of Darkness
Ex UK deathcore merchants leave that bullshit behind and deliver solid and heavy pounding death metal with strong Morbid Angel licks and slowish groove riffs.
09. King Of Asgard – Fi'mbulvintr
The new Amon Amarth so to speak.
08. Arkaik - Reflections Within Dissonance
Brutal and high quality tech death from this underground band. A brilliant and well played album with cool intuitive riffs.
07. Colonize the Rotting - Composing the Masticated
One of the best productions I have ever heard on a brutal death metal album. the sound is totally monstrously massive and yet crystal clear. The songs are short groovy and to the point with high precision level drums and riffing.
06. Aeon - Path Of Fire
Swedish uber satanists deliver their usual catchy death metal with stomps, grooves and cool vocals with lyrics which to me seem slightly tongue in cheek.
05. Stigmatized - Whispers of the Dead
German mob return after great first album and do not disappoint. The production is fabulous and there are some totally brilliant passages here. The vocals are a bit too mixed up and I wish they would stick with the Chuck/Tardy mix of the first album. Musically these guys can hold their head with the best that death metal has to offer.
04. Jack Slater - Extinction Aftermath
One more for our Deutsch friends in Jack Slater. Clean riffed heavy tech death with quality sound. What more can you ask for as a fan of death metal I say.
03. Decrepit Birth – Polarity
Not sure if Polarity is as good as the previous album but it sure as hell kicks ass in it's own right. These guys have the most amazing solos I've heard all year.
02. Soreption - Deterioration Of Minds
Wow what top quality Decapitated worship this is. If you like stop start clincal riffathons then this band is for you. The songs are very catchy to boot.
01. Son of Aurelius - The Farthest Reaches
This is just a stupendous album of death metal magic. Yes it has links to the deathcore scene and I will say that the vocals took a damn lot of getting used to from my perspective (and i still don't like them by the way), however the music in this band is just amazing to say the least. Free flowing not overly busy or brain damaging but with superb musicianship. I just love the flow and the melodies these guys use in their riffs. It all seems so effortless though I'm sure it's as complex as hell. I also like the fact that they don't try to be too brutal and just let the music flow so well so that it doesn't sound disjointed like in many death metal bands.
So that's it for death metal in 2010. Cannibal Corpse will release in 2011. Let's hope it rips face!
Saturday, 18 December 2010
Thursday, 9 December 2010
Taste of Chaos Tour @ Wembley Arena Live Report
Wasn’t planning on going to this tour by any means but when you can nab a ticket for half price you have to give it a go don’t you and the thing is I’ve wanted to see Disturbed for a good while now having become a fan from the Believe album onwards. Of course 3 other bands were on this bill as well, namely female fronted rockers Halestorm, glamsters Buckcherry and melodic nu-metallers Papa Roach.
Luckily the guy I got the ticket off had bought a seat that was perfectly situated to the right of the stage and close enough to see the stage clearly but without being able to see the whites of their eyes but with a great view. The venue is not really set out to be a music venue as the seats face the main floor and the stage is at one end so you end up swivelling in your seat a little towards the stage.
Anyway as I sat down Halestorm were just starting their second or third song. They sounded quite good and they have quite a feisty lady fronting them whose hair used to be blonde as I recall but it was dyed brunette this time. The band sounded fine and so did she. It wasn’t that exciting but it was a good enough warm up. The last song Get Off is their most famous and best tune and got the biggest response from the crowd.
A little word about the crowd actually. This audience was not one which I usually recognise as my fellow gig goers. I’d say the majority of the crowd would be classed as casual metal fans. In the sense that these were normal people who happened to like or heard some Disturbed or Papa roach and though it was cool. Of course there were a lot of youngsters at the show who obviously are only into nu-school or jump da fuck up metal and also a lot of what we call “Chavs” or what you Yanks would call “white trash” at the show. These bands just seem to attract this type of fan for some reason though of course Disturbed seem to attract all types of people who are transfixed by their unity under metal mantra.
Anyway it was time for Buckcherry. I know zilch about them aprt from seeing a few pics and interviews in rock mags and knowing that they are glammy. And glammy they were in spades! They sounded like AC/DC gone glam or sleazy. That All Night Long song got the crowd going which was filling up nicely by now. I’d guess the final attendance to be around 6-7000 or so. The seats weren’t full by any means but the floor was heavily packed. Back to Buckcherry and soon the very energetic frontman took his top off to reveal a lean multicoloured torso full of tatts and started doing his dancing madcap whirling dervish routine. Can’t say I will ever be a Buckcherry fan but they entertain no doubt.
Next up were Paparoach whose only song I know is of course Last Resort with the Maiden riff steal in it. It seems a lot of their songs have melodic metal motifs in them one other example being The Enemy and plenty of others too. Paparoach is one of those bands that the kids go apeshit for and I mean really fucking apeshit. There were huge pits breaking out all over the place and it was quite a sight watching a sea of kids being swept around the floor like a rowdy human sea or something. The front man for Paparoach whose name escapes me was very good at inciting a near enough riot during the the final song which was of course their number one anthem, Last Resort. Look I’m not rushing out to get Paparoach cds after this but you can’t deny they put on a spectacle of melodic nu-metal posturing and slam dancing which was a real sight to be hold from my vantage point. I’ll pass on the music though!
And finally at 9.45pm we arrived at Disturbed and my only real reason for being there. The stage set was much more interesting to look at with large video screens behind the band which sometimes show the band and other times videos of the song the band happen to be playing. The sound was very crisp although I noticed that the guitar was a bit low in the mix and didn’t sound as good as Paparoach’s did by far. However David Draiman’s voice was mixed stupendously loud compared with the other instruments and I think I know why. He has a lot of problems with his voice and I think he is mixed super loud so he doesn’t have to sing himself hoarse in order to be heard above the rest of the music.
The band is very tight once they hit their stride with their booming brand of powerful metal, which sounds very empowering so to speak. My fave songs were Prayer and Inside the Fire but the whole set was played tight and very well. The only this I would say is that Draiman sometimes changes vocal melodies very slightly when compared to the albums, which could be another problem that has arisen from his vocal problems. Not that it makes that much difference and it’s even quite cool to hear it in a different way sometimes. The vocal acrobatics that he does were done flawlessly and he seemed to be singing within himself and not busting his balls with emotion or anything, yet another sign of the vocal situation that he has.
The crowd response for them was not as huge and immense as it was for Paparoach but it was close. Multiple crazy pits were breaking out and of course the “unity in metal” that Draiman never ceases to go an about is quite cool to witness though possibly a little bit cheesy. They are a very powerful band and with the songs to back it up although I must admit I think I prefer them on record than live personally speaking.
The final song of the night is their anthem Down With The Sickness and finally saw the Wembley Arena floor going literally bananas with mega amounts of pits breaking out and a fitting end to the night it was.
Remnants
Asylum
The Game
Prayer
Liberate
Land of Confusion
The Animal
Inside the Fire
Stricken
Another Way to Die
Stupify
Ten Thousand Fists
Indestructible
Encore
Down with the Sickness
Luckily the guy I got the ticket off had bought a seat that was perfectly situated to the right of the stage and close enough to see the stage clearly but without being able to see the whites of their eyes but with a great view. The venue is not really set out to be a music venue as the seats face the main floor and the stage is at one end so you end up swivelling in your seat a little towards the stage.
Anyway as I sat down Halestorm were just starting their second or third song. They sounded quite good and they have quite a feisty lady fronting them whose hair used to be blonde as I recall but it was dyed brunette this time. The band sounded fine and so did she. It wasn’t that exciting but it was a good enough warm up. The last song Get Off is their most famous and best tune and got the biggest response from the crowd.
A little word about the crowd actually. This audience was not one which I usually recognise as my fellow gig goers. I’d say the majority of the crowd would be classed as casual metal fans. In the sense that these were normal people who happened to like or heard some Disturbed or Papa roach and though it was cool. Of course there were a lot of youngsters at the show who obviously are only into nu-school or jump da fuck up metal and also a lot of what we call “Chavs” or what you Yanks would call “white trash” at the show. These bands just seem to attract this type of fan for some reason though of course Disturbed seem to attract all types of people who are transfixed by their unity under metal mantra.
Anyway it was time for Buckcherry. I know zilch about them aprt from seeing a few pics and interviews in rock mags and knowing that they are glammy. And glammy they were in spades! They sounded like AC/DC gone glam or sleazy. That All Night Long song got the crowd going which was filling up nicely by now. I’d guess the final attendance to be around 6-7000 or so. The seats weren’t full by any means but the floor was heavily packed. Back to Buckcherry and soon the very energetic frontman took his top off to reveal a lean multicoloured torso full of tatts and started doing his dancing madcap whirling dervish routine. Can’t say I will ever be a Buckcherry fan but they entertain no doubt.
Next up were Paparoach whose only song I know is of course Last Resort with the Maiden riff steal in it. It seems a lot of their songs have melodic metal motifs in them one other example being The Enemy and plenty of others too. Paparoach is one of those bands that the kids go apeshit for and I mean really fucking apeshit. There were huge pits breaking out all over the place and it was quite a sight watching a sea of kids being swept around the floor like a rowdy human sea or something. The front man for Paparoach whose name escapes me was very good at inciting a near enough riot during the the final song which was of course their number one anthem, Last Resort. Look I’m not rushing out to get Paparoach cds after this but you can’t deny they put on a spectacle of melodic nu-metal posturing and slam dancing which was a real sight to be hold from my vantage point. I’ll pass on the music though!
And finally at 9.45pm we arrived at Disturbed and my only real reason for being there. The stage set was much more interesting to look at with large video screens behind the band which sometimes show the band and other times videos of the song the band happen to be playing. The sound was very crisp although I noticed that the guitar was a bit low in the mix and didn’t sound as good as Paparoach’s did by far. However David Draiman’s voice was mixed stupendously loud compared with the other instruments and I think I know why. He has a lot of problems with his voice and I think he is mixed super loud so he doesn’t have to sing himself hoarse in order to be heard above the rest of the music.
The band is very tight once they hit their stride with their booming brand of powerful metal, which sounds very empowering so to speak. My fave songs were Prayer and Inside the Fire but the whole set was played tight and very well. The only this I would say is that Draiman sometimes changes vocal melodies very slightly when compared to the albums, which could be another problem that has arisen from his vocal problems. Not that it makes that much difference and it’s even quite cool to hear it in a different way sometimes. The vocal acrobatics that he does were done flawlessly and he seemed to be singing within himself and not busting his balls with emotion or anything, yet another sign of the vocal situation that he has.
The crowd response for them was not as huge and immense as it was for Paparoach but it was close. Multiple crazy pits were breaking out and of course the “unity in metal” that Draiman never ceases to go an about is quite cool to witness though possibly a little bit cheesy. They are a very powerful band and with the songs to back it up although I must admit I think I prefer them on record than live personally speaking.
The final song of the night is their anthem Down With The Sickness and finally saw the Wembley Arena floor going literally bananas with mega amounts of pits breaking out and a fitting end to the night it was.
Remnants
Asylum
The Game
Prayer
Liberate
Land of Confusion
The Animal
Inside the Fire
Stricken
Another Way to Die
Stupify
Ten Thousand Fists
Indestructible
Encore
Down with the Sickness
Monday, 6 December 2010
Helloween and Stratovarius Live Report
On a perishingly cold Sunday night the London power metal throngs gathered at the HMV Forum for two of the giants of the game to show us what they can do to warm us up. First of all, as I walked in the venue a third and unexpected band were on stage doing the actual warming up so to speak. I didn't have any idea about the presence of this band who were in fact Trick or Treat from Spain. I actually know these guys quite well and they are quite fun. I only caught 3 songs from the band and they sounded quite happy and fun but the singer had an extremely high voice with a rather thick Spanish accent which is a bit funny but power metal is supposed to be fun is it not? ToT were that indeed for three songs..
It is my first time in this venue and I found it to be a really nice place to hold a gig of this size. The upstairs was actually shut off completely as the attendance obviously did not warrant said opening. The crowd slowly built in anticipation for Stratovarius and finally at 8pm they took to the stage with an 800 or so crowd ready to welcome them to London once again. I must admit the sound was pretty excellent all night although I had trouble hearing Timo's vocals on occasion. It was rather strange to see only two long term Strato members on stage - namely Timo and Jens of course. However the new guitarist is really a top notch player and nailed his parts to perfection although he's not the most expressive guy facially.
Timo tried hard to get the crowd going and to begin with it was a bit of a struggle but slowly the crowd was warming to the task. Timo announced that Jorg Michael was ill and would rejoin the band in January but they had a very suitable replacement by the name of Alex something or other I forget what. Anyway the band is very tight indeed replacement drummer or not. I must admit I don't recognise quite a lot of the set list although I've heard them in the past, I'm just not enough of a Strato fanboy to be singing along to the tunes but there were plenty of people present who were obviously! My favourite song of the night was Speed of Light which was played lightning last and sounded very good indeed. Kiss of Judas was also a recognisable highlight. Winter Skies was also excellently played and sung. The song of the set however was the furiously catchy Hunting High and Low. The last song was Black Diamond of course one of theie most famous. I actually don't like this song much oddly enough but people loved it of course. At 9pm Stratovarius finally left the stage to long applause. They pleased me but I wasn't overly excited by them to be honest but like I said I am not a huge huge Strato fan or anything but I respect them as one of the power metal biggies in Europe. I sometimes wonder how Stratovarius would sound if they were a twin guitar band but that's for another day. The only thing I would repeat is that it's rather odd for the founder of the band to not be up there on stage with them not that I care or anything though. I guess it's better for the band that he's not though as the new album Elysium could be very special..hopefully!
Andi Deris was really into it in a rather big way I must say and got the crowd well pumped who were much more vociferous than they were for Stratovarius. Eagle Fly Free saw full crowd participation on the chorus and most of the song actually and Andi often turned the mic to the crowd and was met with loud singing. Andi's vocals were top notch all night and he nailed the highs even though he did make one funny quip before one song with rather too many high notes! He said something to the affect that he has his "predecessor to thank for that!" referring to Kiske of course.
I must admit I had seen recent helloween setlists which were personally speaking much better for me , featuring newer songs which are more in line with my personal taste. However what they did perform, they did with flawless abandon. Markus' bass playing was awesome to say the least and he sounded crystal clear in the sound mix which helped no end. I was hoping to hear World of Fantasy from the new album or If I Could Fly which I have seen on recent set lists as I said but it wasn't to be. The Keeper medley of their longest songs was rapturously received although I must admit that part dragged a touch for me although I should say I was probably alone in that respect in the whole crowd hehe!
The end of the set saw the band play songs that they obviously must play otherwise they'd be lynched probably! The songs being the usual suspects that you can see below in the set list. I beat a hasty retreat after the first encore and missed Dr. Stein but I've heard it enough now I think don't you? :-)
My overall feeling is that Helloween really are the grandfathers of this genre now and most bands look up to them as reaching the pinnacle of European power metal and although the set list did not quite meet with my expectations personally speaking, I can't deny that they are probably stronger as a band than they've ever been. The songs I did hear were executed flawlessly and with great enthusiasm by all on stage even Weiky who is not the happiest of fellows on stage at the best of times, looked to be having lots of fun. The funniest guy was definitely Markus though and he's actually a very talented bass player and I think people sometimes forget that. More new songs next time guys!
It is my first time in this venue and I found it to be a really nice place to hold a gig of this size. The upstairs was actually shut off completely as the attendance obviously did not warrant said opening. The crowd slowly built in anticipation for Stratovarius and finally at 8pm they took to the stage with an 800 or so crowd ready to welcome them to London once again. I must admit the sound was pretty excellent all night although I had trouble hearing Timo's vocals on occasion. It was rather strange to see only two long term Strato members on stage - namely Timo and Jens of course. However the new guitarist is really a top notch player and nailed his parts to perfection although he's not the most expressive guy facially.
Timo tried hard to get the crowd going and to begin with it was a bit of a struggle but slowly the crowd was warming to the task. Timo announced that Jorg Michael was ill and would rejoin the band in January but they had a very suitable replacement by the name of Alex something or other I forget what. Anyway the band is very tight indeed replacement drummer or not. I must admit I don't recognise quite a lot of the set list although I've heard them in the past, I'm just not enough of a Strato fanboy to be singing along to the tunes but there were plenty of people present who were obviously! My favourite song of the night was Speed of Light which was played lightning last and sounded very good indeed. Kiss of Judas was also a recognisable highlight. Winter Skies was also excellently played and sung. The song of the set however was the furiously catchy Hunting High and Low. The last song was Black Diamond of course one of theie most famous. I actually don't like this song much oddly enough but people loved it of course. At 9pm Stratovarius finally left the stage to long applause. They pleased me but I wasn't overly excited by them to be honest but like I said I am not a huge huge Strato fan or anything but I respect them as one of the power metal biggies in Europe. I sometimes wonder how Stratovarius would sound if they were a twin guitar band but that's for another day. The only thing I would repeat is that it's rather odd for the founder of the band to not be up there on stage with them not that I care or anything though. I guess it's better for the band that he's not though as the new album Elysium could be very special..hopefully!
- Phoenix
- Legions
- Darkest Hours
- The Kiss of Judas
- Against the Wind
- Winter Skies
- Speed of Light
- Deep Unknown
- Paradise
- Hunting High and Low
- Black Diamond
Andi Deris was really into it in a rather big way I must say and got the crowd well pumped who were much more vociferous than they were for Stratovarius. Eagle Fly Free saw full crowd participation on the chorus and most of the song actually and Andi often turned the mic to the crowd and was met with loud singing. Andi's vocals were top notch all night and he nailed the highs even though he did make one funny quip before one song with rather too many high notes! He said something to the affect that he has his "predecessor to thank for that!" referring to Kiske of course.
I must admit I had seen recent helloween setlists which were personally speaking much better for me , featuring newer songs which are more in line with my personal taste. However what they did perform, they did with flawless abandon. Markus' bass playing was awesome to say the least and he sounded crystal clear in the sound mix which helped no end. I was hoping to hear World of Fantasy from the new album or If I Could Fly which I have seen on recent set lists as I said but it wasn't to be. The Keeper medley of their longest songs was rapturously received although I must admit that part dragged a touch for me although I should say I was probably alone in that respect in the whole crowd hehe!
The end of the set saw the band play songs that they obviously must play otherwise they'd be lynched probably! The songs being the usual suspects that you can see below in the set list. I beat a hasty retreat after the first encore and missed Dr. Stein but I've heard it enough now I think don't you? :-)
My overall feeling is that Helloween really are the grandfathers of this genre now and most bands look up to them as reaching the pinnacle of European power metal and although the set list did not quite meet with my expectations personally speaking, I can't deny that they are probably stronger as a band than they've ever been. The songs I did hear were executed flawlessly and with great enthusiasm by all on stage even Weiky who is not the happiest of fellows on stage at the best of times, looked to be having lots of fun. The funniest guy was definitely Markus though and he's actually a very talented bass player and I think people sometimes forget that. More new songs next time guys!
- Are You Metal?
- Eagle Fly Free
- March of Time
- Guitar Solo
- Where the Sinners Go
- Steel Tormentor
- Drum Solo
- I'm Alive
- Handful Of Pain
- Keeper/The King for A 1000 Years /Halloween Medley
- I Want Out
- Ride the Sky
- Future World
- Dr. Stein
Saturday, 23 October 2010
Alter Bridge @ the Hammersmith Apollo
For the life of me I can't remember if I've ever been to the Apollo but as I arrived outside Hammersmith tube, the place had a very familiar look about it. There was already a queue outside but it was far too early to join then so I went for a stroll round Hammersmith which was very busy indeed, stopping off at this Charcoal Grill place where Chicken Shish and Chips was definitely the order of the day! Before long I was heading back to the venue at 7pm or so with belly full and ready for a night's pounding heavy rock. The excitement was starting to build slow and there was a huge, though moving queue building up as I joined the back of it. I was looking forward to seeing Alter Bridge immensely as I have all three of their albums and each of them is spectacular in it's own way. The band can do very little wrong as far as I'm concerned.
Luckily I had managed to nab a ticket on ebay although it was in the "Gods" I wasn't that worried as I had a decent view of the stage and a fairly comfortable seat. The Apollo was pretty much packed to the rafters I would say with probably around 6000 or so people attending the show at a guess. It's interesting to see what kind of people attend an Alter Bridge show. It's not the usual type of metalhead or hard rocker crowd that I am used to. You get people from all walks of life attending. Old people in their 60s who are nostalgic rockers to emo teenagers in My Chemical Romance shirts and all types in between. The band really does attract a wide variety and I guess it just boils down to the fact that their song writing has such wide ranging appeal.
First band on at 8pm were Slaves to Gravity. I listened to them on myspace and they weren't that bad or anything but their tunes didn't excite live. They were like an Alter Bridge-lite band without the melodic tunes or the really amazing vocals. They got an OK response but people were just waiting impatiently for Alter Bridge now.
Finally at 9.15 sharp the lights went down and AB took to the stage although the spotlight was solely on Myles Kennedy as the opening strains of the opening cut off the new album AB III started things off nicely with Myles crooning and then the full band launching earnestly into the song. The sound was immediately much better than it was for the support band being heavy sharp and crystal clear with a rumbling cutting bass sound. This can sometimes overpower the other instruments but it was not the case this time as Tremonti's guitar was sharp as a razor.
After the opener, we were straight into one of the best and catchiest tunes off of Blackbird, namely Buried Alive with it's mighty riffs and hugely infectious chorus which the whole of the Hammy Apollo was belting out with Myles. What a song! The set continued with beefed up heavy guitars and the amazing vocals of Myles shining out like a beacon although on many occasions the crowd was drowning him out such was the sing-along and adulation levels. Metalingus from the debut album was just awesomely played and sung by the band with trademark Tremonti licks burning the house down. Personally I prefer the two latest albums to the debut but all the tunes played fitted in with each other seamlessly.
It sometimes amazes me how good bands effortlessly play their songs and deliver it with as much passion as Alter Bridge does. Myles was very thankful of the crowd throughout the gig and said that it was a dream come true to play to such a crowd and it was an evening he would cherish for a long time and the feeling was mutual within the crowd. Finally we arrived at one of the most mesmeric and epic tunes in their repertoire, the monumental title track of their second album Blackbird, which was played and sung like it's the last time it's ever going to be sung. A spine tingling moment that one! Once again the whole crowd joined in on the chorus and were struggling to hear the band over the crowd which was an epic feat in itself.
At the end of the set they took their bows and left the stage though of course the show was not over the "Alter Bridge! Alter Bridge!" cries and slowly ascending hand claps soon started and before long we saw Myles sitting on a stool in the spotlight with acoustic guitar in hand. The next two songs were sung acoustically. the first of which was Myles on his own singing Watch Over You with amazing passion. It was at this point that you realise what a great voice the guy really has as you could hear it more clearly when not backed by heavy distorted guitars. The second song saw Mark Tremonti join Myles for an acoustic version of the amazing new ballad Wonderful Life off the new record which was once again mesmerisingly beautiful and I'm sure a few tears were shed around the crowd at that one.
After that Myles donned his electric once again and announced that your normal programming is now resumed as the band launched into a monstrously heavy version of Isolation the massive hit single from AB III which was for me perhaps the best sing along moment of the night with all and sundry once again belting out that chorus like there's no tomorrow. Classic!
Finally we arrived at the last song of the night, the totally anthemic Rise Today from Blackbird with it's stirring challenging chorus which was once again boomed out by the crowd right along with Myles and co. Looking at the set list I would have loved to have heard Life Must Go On personally speaking as it's just an immense tune but maybe next time eh. Unfortunately I was just sitting too far away to get any sort of decent pictures as a memento of the show but the music will live long in the memory in any case. All in all a great night of melodic modern hard rock was had by all. If you get the chance to see Alter Bridge at all then don't miss it as I nearly did cause you will be in for a right treat!
Set list:
Slip to the Void
Buried Alive
Before Tomorrow Comes
Still Remains
Brand New Start
White Knuckles
All Hope Is Gone
Metalingus
Broken Wings
Ghost of Days Gone By
Ties That Bind
One Day Remains
I Know It Hurts
Blackbird
Open Your Eyes
Come To Life
Encore:
Watch Over You (Acoustic)
Wonderful Life (Acoustic)
Isolation
Rise Today
Luckily I had managed to nab a ticket on ebay although it was in the "Gods" I wasn't that worried as I had a decent view of the stage and a fairly comfortable seat. The Apollo was pretty much packed to the rafters I would say with probably around 6000 or so people attending the show at a guess. It's interesting to see what kind of people attend an Alter Bridge show. It's not the usual type of metalhead or hard rocker crowd that I am used to. You get people from all walks of life attending. Old people in their 60s who are nostalgic rockers to emo teenagers in My Chemical Romance shirts and all types in between. The band really does attract a wide variety and I guess it just boils down to the fact that their song writing has such wide ranging appeal.
First band on at 8pm were Slaves to Gravity. I listened to them on myspace and they weren't that bad or anything but their tunes didn't excite live. They were like an Alter Bridge-lite band without the melodic tunes or the really amazing vocals. They got an OK response but people were just waiting impatiently for Alter Bridge now.
Finally at 9.15 sharp the lights went down and AB took to the stage although the spotlight was solely on Myles Kennedy as the opening strains of the opening cut off the new album AB III started things off nicely with Myles crooning and then the full band launching earnestly into the song. The sound was immediately much better than it was for the support band being heavy sharp and crystal clear with a rumbling cutting bass sound. This can sometimes overpower the other instruments but it was not the case this time as Tremonti's guitar was sharp as a razor.
After the opener, we were straight into one of the best and catchiest tunes off of Blackbird, namely Buried Alive with it's mighty riffs and hugely infectious chorus which the whole of the Hammy Apollo was belting out with Myles. What a song! The set continued with beefed up heavy guitars and the amazing vocals of Myles shining out like a beacon although on many occasions the crowd was drowning him out such was the sing-along and adulation levels. Metalingus from the debut album was just awesomely played and sung by the band with trademark Tremonti licks burning the house down. Personally I prefer the two latest albums to the debut but all the tunes played fitted in with each other seamlessly.
It sometimes amazes me how good bands effortlessly play their songs and deliver it with as much passion as Alter Bridge does. Myles was very thankful of the crowd throughout the gig and said that it was a dream come true to play to such a crowd and it was an evening he would cherish for a long time and the feeling was mutual within the crowd. Finally we arrived at one of the most mesmeric and epic tunes in their repertoire, the monumental title track of their second album Blackbird, which was played and sung like it's the last time it's ever going to be sung. A spine tingling moment that one! Once again the whole crowd joined in on the chorus and were struggling to hear the band over the crowd which was an epic feat in itself.
At the end of the set they took their bows and left the stage though of course the show was not over the "Alter Bridge! Alter Bridge!" cries and slowly ascending hand claps soon started and before long we saw Myles sitting on a stool in the spotlight with acoustic guitar in hand. The next two songs were sung acoustically. the first of which was Myles on his own singing Watch Over You with amazing passion. It was at this point that you realise what a great voice the guy really has as you could hear it more clearly when not backed by heavy distorted guitars. The second song saw Mark Tremonti join Myles for an acoustic version of the amazing new ballad Wonderful Life off the new record which was once again mesmerisingly beautiful and I'm sure a few tears were shed around the crowd at that one.
After that Myles donned his electric once again and announced that your normal programming is now resumed as the band launched into a monstrously heavy version of Isolation the massive hit single from AB III which was for me perhaps the best sing along moment of the night with all and sundry once again belting out that chorus like there's no tomorrow. Classic!
Finally we arrived at the last song of the night, the totally anthemic Rise Today from Blackbird with it's stirring challenging chorus which was once again boomed out by the crowd right along with Myles and co. Looking at the set list I would have loved to have heard Life Must Go On personally speaking as it's just an immense tune but maybe next time eh. Unfortunately I was just sitting too far away to get any sort of decent pictures as a memento of the show but the music will live long in the memory in any case. All in all a great night of melodic modern hard rock was had by all. If you get the chance to see Alter Bridge at all then don't miss it as I nearly did cause you will be in for a right treat!
Set list:
Slip to the Void
Buried Alive
Before Tomorrow Comes
Still Remains
Brand New Start
White Knuckles
All Hope Is Gone
Metalingus
Broken Wings
Ghost of Days Gone By
Ties That Bind
One Day Remains
I Know It Hurts
Blackbird
Open Your Eyes
Come To Life
Encore:
Watch Over You (Acoustic)
Wonderful Life (Acoustic)
Isolation
Rise Today
Friday, 15 October 2010
Sabaton Live Report
I had been looking forward to this gig for months and months and finally after an eternity of waiting, it's finally come and gone, but boy was it worth the wait and leaves me with great memories. This is the 4th time I am seeing the Saba war machine in action and probably their best gig yet. On this occasion they were playing the Electric Ballroom which is a huge upgrade for them from their previous jaunts across the UK as a headline act. The place was jam packed and ready for a night of power metal magic and believe they weren't going to be leaving the hall disappointed one iota!
First band of the night was newcomers Thaurorod who themselves have a very nifty power metal debut under their belts. They played well but their material suffered from lack of memorability for most of the crowd whose response overall was not as enthusiastic as it might have been had they been more familiar with the material. The best song they played was Shadows and Rain which was a beautifully melodic mid paced song with more accessibility and easily got the best response compared to the other songs. This was not Thaurorod's night but their time will come. The singer also needs to work a little bit on his live vocals.
Next up were the True Scottish Pirate Metal troop, Alestorm. I had been looking forward to see the Scots for the first time and they didn't fail me. What I didn't quite expect was the response from the crowd. The place went absolutely apeshit for these guys and then some. I was near the front and to the side but the pit was non stop mental for these guys. I didn't actually realise that the front man plays keytar until he ran out with one. You don't see too many of those at metal gigs.
Their set list consisted of songs from both their album which I am very familiar with. At some points the crowd was going completely doolally! There was even a huge wall of death which saw bodies getting totally mauled and battered. The fancy dress pirates were there in force and there was even a dude dressed as a ninja believe it or not. I was trying to take his picture but I couldn't get a clear shot so you'll have to imagine the dude was cloaked in black and you could only see his eyes! After 45 minutes of pure unadulterated fun it was time for them to leave. They did play one new song for us called Rum which was absolutely hilarious and a rollicking great tune. These guys may not be everyone's cuppa but live they are unstoppable!
And finally for the main event and one of the best power metal shows I have ever witnessed ever and I've seen a few. Sabaton is one of those bands that speaks to my heart now and I adore everything they do. Tonight I was looking forward to hearing many new songs as well as the killer hits of earlier albums. Any song that they played was played to perfection and enthusiasm. The crowd treats them with complete adulation all night and it's impossible not to be taken in by this band. Joakim is one hell of a front man and whips the crowd into a riot soon enough although it must be said this crowd didn't need any help when it came to causing absolute mayhem - they could do that without geeing up all night.
After the intro of The Final Countdown which everyone sang along with and enjoyed the gig proper started with a storming version of Ghost Division which is always a great and ultra energetic start before diving headlong into the first new track, Uprising with it's fist pumping, anthemic feel. The sound was immediately much tighter and crisper than for the other bands and you new who the headliners were alright. The crowd was jam packed at the front but the gig was completely sold out.
Next up was one of my favourite new songs Aces in Exile with it's wonderful fast free flowing tempo and glorious sing along chorus. Great stuff and played to perfection. Next two songs were Cliffs of Gallipoli which is nothing less than one of the most emotional songs ever followed by 40:1 which is one of the catchiest. The following song was the mesmeric The Final Solution with it's awesome keyboard parts. The song was dedicated by Joakim to those that died. He also said that they didn't play the song before this tour as the subject matter was too morose but since the UK fans had specifically asked for it the band had to play it. the rendition was again very emotional and perfect in every way.
Next up was the upbeat and more jolly Attero Dominatus which the whole crowd sang along with drowning out Joakim at times. Next came Wolfpack, which is not a fave song of mine but it's ok. It was notable for a rendition of happy birthday for drummer Daniel. Next came another newie, Saboteurs which Joakim dedicated to the Norwegians which aided the allies in the war and which are the subject of this song. A brilliant song make no mistake.
Next up was The Price of a Mile which was also very emotional and brilliant sung and played with it's thudding almost desperate melody. The final song of the main set followed which as Back in Control about the Brits regaining the Falkland's again. Another of their great rapid fire catchy tunes that everyone just has to sing along with. They took their bows and left after however the Sabaton chants soon started from the packed crowd and grew louder and ever louder meaning their return was not long in coming.
The first song in the encore was the the title track of the new album, Coat of Arms which was with a near enough riot of a moshpit at the front. Next up was huge fan fave, Primo Victoria which got the whole place bouncing to it's military beat and not a single voice was not raised for the chorus. And finally we arrived at their ode to metal, namely Metal Machine which is just a great way to end any gig with it's happy feel to counter some of the more emotional songs played earlier.
So yes the gig was immense and will live long in the memory of everyone who witnessed it. Sabaton are a well oiled power metal machine these days with enough musical ammo to last for countless wars ahead. This battle was one they could not lose and so it proved to be a massacre on all levels. Hail Sabaton!
First band of the night was newcomers Thaurorod who themselves have a very nifty power metal debut under their belts. They played well but their material suffered from lack of memorability for most of the crowd whose response overall was not as enthusiastic as it might have been had they been more familiar with the material. The best song they played was Shadows and Rain which was a beautifully melodic mid paced song with more accessibility and easily got the best response compared to the other songs. This was not Thaurorod's night but their time will come. The singer also needs to work a little bit on his live vocals.
Next up were the True Scottish Pirate Metal troop, Alestorm. I had been looking forward to see the Scots for the first time and they didn't fail me. What I didn't quite expect was the response from the crowd. The place went absolutely apeshit for these guys and then some. I was near the front and to the side but the pit was non stop mental for these guys. I didn't actually realise that the front man plays keytar until he ran out with one. You don't see too many of those at metal gigs.
Their set list consisted of songs from both their album which I am very familiar with. At some points the crowd was going completely doolally! There was even a huge wall of death which saw bodies getting totally mauled and battered. The fancy dress pirates were there in force and there was even a dude dressed as a ninja believe it or not. I was trying to take his picture but I couldn't get a clear shot so you'll have to imagine the dude was cloaked in black and you could only see his eyes! After 45 minutes of pure unadulterated fun it was time for them to leave. They did play one new song for us called Rum which was absolutely hilarious and a rollicking great tune. These guys may not be everyone's cuppa but live they are unstoppable!
And finally for the main event and one of the best power metal shows I have ever witnessed ever and I've seen a few. Sabaton is one of those bands that speaks to my heart now and I adore everything they do. Tonight I was looking forward to hearing many new songs as well as the killer hits of earlier albums. Any song that they played was played to perfection and enthusiasm. The crowd treats them with complete adulation all night and it's impossible not to be taken in by this band. Joakim is one hell of a front man and whips the crowd into a riot soon enough although it must be said this crowd didn't need any help when it came to causing absolute mayhem - they could do that without geeing up all night.
After the intro of The Final Countdown which everyone sang along with and enjoyed the gig proper started with a storming version of Ghost Division which is always a great and ultra energetic start before diving headlong into the first new track, Uprising with it's fist pumping, anthemic feel. The sound was immediately much tighter and crisper than for the other bands and you new who the headliners were alright. The crowd was jam packed at the front but the gig was completely sold out.
Next up was one of my favourite new songs Aces in Exile with it's wonderful fast free flowing tempo and glorious sing along chorus. Great stuff and played to perfection. Next two songs were Cliffs of Gallipoli which is nothing less than one of the most emotional songs ever followed by 40:1 which is one of the catchiest. The following song was the mesmeric The Final Solution with it's awesome keyboard parts. The song was dedicated by Joakim to those that died. He also said that they didn't play the song before this tour as the subject matter was too morose but since the UK fans had specifically asked for it the band had to play it. the rendition was again very emotional and perfect in every way.
Next up was the upbeat and more jolly Attero Dominatus which the whole crowd sang along with drowning out Joakim at times. Next came Wolfpack, which is not a fave song of mine but it's ok. It was notable for a rendition of happy birthday for drummer Daniel. Next came another newie, Saboteurs which Joakim dedicated to the Norwegians which aided the allies in the war and which are the subject of this song. A brilliant song make no mistake.
Next up was The Price of a Mile which was also very emotional and brilliant sung and played with it's thudding almost desperate melody. The final song of the main set followed which as Back in Control about the Brits regaining the Falkland's again. Another of their great rapid fire catchy tunes that everyone just has to sing along with. They took their bows and left after however the Sabaton chants soon started from the packed crowd and grew louder and ever louder meaning their return was not long in coming.
The first song in the encore was the the title track of the new album, Coat of Arms which was with a near enough riot of a moshpit at the front. Next up was huge fan fave, Primo Victoria which got the whole place bouncing to it's military beat and not a single voice was not raised for the chorus. And finally we arrived at their ode to metal, namely Metal Machine which is just a great way to end any gig with it's happy feel to counter some of the more emotional songs played earlier.
So yes the gig was immense and will live long in the memory of everyone who witnessed it. Sabaton are a well oiled power metal machine these days with enough musical ammo to last for countless wars ahead. This battle was one they could not lose and so it proved to be a massacre on all levels. Hail Sabaton!
Tuesday, 5 October 2010
Jorn Live
A dull and barren Monday night was wonderfully lit up when I finally got to see one of my favourite singers in the world today, Jorn Lande. I have 3 favourite singers of which Jorn is one with the other two being Nils Patrik Johansson and Johnny Gioeli. When I found out that Jorn was playing a gig at the Underworld it was a complete no-brainer to nab a ticket to see this legend of the mic. I looked forward to last night immensely and now that it has come and gone I realise that Jorn is just an amazing singer with great power and emotion.
However before Jorn took to the stage, the support band Crimes of Passion played an energetic if one dimensional melodic rock set with guitar shredding aplenty. I have come across these Brit melodic rock merchants before and have quite enjoyed their material whilst not loving it. In a live setting they played pretty well but didn't really get the juices flowing so to speak. Their front man is an energetic dude and has a few nifty one liners for the gathered crowd which draws a few laughs. The sound didn't help them being rather loud and muddy but Crimes of Passion did their best and had one or two cool headbanging tunes to enjoy.
Finally at around 9.15 or so it was time for the main event. I was wondering what sort of setlist Jorn had prepared for us and was hoping for a couple of older songs from Worldchanger and possibly a couple of non Jorn solo songs from Masterplan or his Dio tribute album but the whole setlist was plundered from his more recent albums. I would have loved to have heard Sunset Station or World Changer but alas it wasn't to be so I didn't let it worry me too much as song after heavy song was played to the half full Underworld. Actually the turn out was probably around 250, not too bad considering there was a tube strike and it was a shitty Monday night.
Anyway let me tell you Jorn's band is shit hot tight. His two guitarists never missed a note all night. The sound in the Underworld was incendiary too. I had my usual home made ear protectors in and the sound was super clear but bludgeoningly loud but very crisp like I said. In fact Jorn's vocals were at times a little difficult to hear over the crunching guitars and super clear bass but that was remedied after a song or two.
Now what about the man's live vocals. The guy is just a monster powerhouse of a singer. His live voice is much more raspier and angrier than what you hear on record. He used to be more of a Coverdale type of singer, smooth yet rough, but now he uses his angrier waspish voice much were he sounds very mean and angry like some one spilled his pint or something. I must admit I absolutely loved this slightly more aggressive live approach. It made the songs sound meatier and darker, not that they aren't mean and moody to begin with. The setlist was in the main culled from his latest albums with a few older songs thrown in. I cannot remember the setlist exactly but I have it listed below though not in this order. I think I am missing 2-3 songs as well which I cannot recall.
The best songs were the monstrous Road of the Cross, the catchy Lonely Are the Brave and the most evil pounding and heavy version of Tungur Knivur which wrecked ears badly! Blacksong was also amazing and Jorn took the roof off with his vocals on that song. Throughout the show the band was getting an amazing reaction from crowd and Jorn had them eating out of his hand. He's actually a much smaller guy than he looks in photos and I thought he would be more imposing but in fact he's more like a modern day Dio. In time the guy could go on to as many great things as the great little man himself but there's a long way to go yet as we all know. During the encore Jorn gave a very empassioned speech about the great little man before introducing Song For Ronnie James which was just savagely heavy and sung with more vigour and power by Jorn than he does on record.
After the final song and a 90 minute set finally the band took their ovations and I think everyone in the whole crowd got to high five Jorn even yours truly. I hope to see Mr. Lande again one day maybe with Masterplan this time but I ain't holding my breath for that one, No sirree! Any how next time Jorn plays local, I'll be there again like a shot. The man is a vocal GOD!
Spirit Black
Below
Road of the Cross
Rock and Roll Angel
Are you ready (thin lizzy cover)
Lonely are the brave
Man of the Dark
Shadow People
Blacksong
Stormcrow
Tungur Knivur
encore
Song for Ronnie James
War of the World
I took my camera to a gig for the first time in a long time and managed to get a few decent photos for a change.
However before Jorn took to the stage, the support band Crimes of Passion played an energetic if one dimensional melodic rock set with guitar shredding aplenty. I have come across these Brit melodic rock merchants before and have quite enjoyed their material whilst not loving it. In a live setting they played pretty well but didn't really get the juices flowing so to speak. Their front man is an energetic dude and has a few nifty one liners for the gathered crowd which draws a few laughs. The sound didn't help them being rather loud and muddy but Crimes of Passion did their best and had one or two cool headbanging tunes to enjoy.
Finally at around 9.15 or so it was time for the main event. I was wondering what sort of setlist Jorn had prepared for us and was hoping for a couple of older songs from Worldchanger and possibly a couple of non Jorn solo songs from Masterplan or his Dio tribute album but the whole setlist was plundered from his more recent albums. I would have loved to have heard Sunset Station or World Changer but alas it wasn't to be so I didn't let it worry me too much as song after heavy song was played to the half full Underworld. Actually the turn out was probably around 250, not too bad considering there was a tube strike and it was a shitty Monday night.
Anyway let me tell you Jorn's band is shit hot tight. His two guitarists never missed a note all night. The sound in the Underworld was incendiary too. I had my usual home made ear protectors in and the sound was super clear but bludgeoningly loud but very crisp like I said. In fact Jorn's vocals were at times a little difficult to hear over the crunching guitars and super clear bass but that was remedied after a song or two.
Now what about the man's live vocals. The guy is just a monster powerhouse of a singer. His live voice is much more raspier and angrier than what you hear on record. He used to be more of a Coverdale type of singer, smooth yet rough, but now he uses his angrier waspish voice much were he sounds very mean and angry like some one spilled his pint or something. I must admit I absolutely loved this slightly more aggressive live approach. It made the songs sound meatier and darker, not that they aren't mean and moody to begin with. The setlist was in the main culled from his latest albums with a few older songs thrown in. I cannot remember the setlist exactly but I have it listed below though not in this order. I think I am missing 2-3 songs as well which I cannot recall.
The best songs were the monstrous Road of the Cross, the catchy Lonely Are the Brave and the most evil pounding and heavy version of Tungur Knivur which wrecked ears badly! Blacksong was also amazing and Jorn took the roof off with his vocals on that song. Throughout the show the band was getting an amazing reaction from crowd and Jorn had them eating out of his hand. He's actually a much smaller guy than he looks in photos and I thought he would be more imposing but in fact he's more like a modern day Dio. In time the guy could go on to as many great things as the great little man himself but there's a long way to go yet as we all know. During the encore Jorn gave a very empassioned speech about the great little man before introducing Song For Ronnie James which was just savagely heavy and sung with more vigour and power by Jorn than he does on record.
After the final song and a 90 minute set finally the band took their ovations and I think everyone in the whole crowd got to high five Jorn even yours truly. I hope to see Mr. Lande again one day maybe with Masterplan this time but I ain't holding my breath for that one, No sirree! Any how next time Jorn plays local, I'll be there again like a shot. The man is a vocal GOD!
Spirit Black
Below
Road of the Cross
Rock and Roll Angel
Are you ready (thin lizzy cover)
Lonely are the brave
Man of the Dark
Shadow People
Blacksong
Stormcrow
Tungur Knivur
encore
Song for Ronnie James
War of the World
I took my camera to a gig for the first time in a long time and managed to get a few decent photos for a change.
Saturday, 2 October 2010
Alter Bridge - AB III - Review
I've been waiting very impatiently for this record and finally it's here and what can I say this band just amazes me every single time. Just when you think they can't surely get any better they go on to deliver magic song after soaring, magic song on their new platter. I'm fast running out of superlatives for this band and they deserve even more praise than I can heap on them. I am not certain yet as to my ranking for the album in comparison with Blackbird because I completely adore that album, but the new one is just fresh and I'm still absorbing whilst still being blown away. I didn't think it would be possible to top the last album but they might have just gone and bloody done it! Here is my song by song review.
Slip of the Void - A brooding start before the song proper starts with slow and grinding melodic riffs that let Myles do his thing over the top with his epic soaring melodies. The song is not that immediate but grows quickly to a huge riff and vocal fest. 8.5/10
Isolation - The lead and superbly catchy lead single off the album. It's not for reason that it was chosen as the single as the song is just wondrously catchy. Blessed by thumping mid tempo riffs and lead embellishments from Tremonti before the song breaks into a hugely catchy and goose bump inducing. The solo in the second part is just brilliant although a little too short for my taste. Just a brilliant and flawless melodic tune from start to finish. 10/10
Ghost of Days Gone By - Just when you thought things couldn't get any better they do! This is a less heavy and more melodic tune with wonderful mid tempo before the chorus bridge goes into typical AB style melodic epic song writing. The lyrics in this song are very melancholic as well reminiscing about better days. The song is just beautifully paced and emotional with great instrumental and vocals which build to quite a heavy tune. The "I don't wanna die" line from Myles sends shivers up the spine as does the following solos and vocal melodies. Can one give more that 10/10?
All Hope is Gone - A fairly slow and brooding start before the awesome Myles Kennedy melodies soon start to surface paced alongside the heavy Tremonti atmospherics. The chorus in this song is not so immediate but as a whole the song is a typically enjoyable AB song. The song goes into a heavy groove riff section in the second part which sounds very cool before another one of those great Tremonti solos kicks in this time with greater length which makes the song sound much more epic and better. 9/10
Still Remains - The song starts with a heavy and grooving riff which sounds very cool indeed before Myles' vocals kick in with awesome melodies and so we reach the chorus which is just killer it has to be said. You would thing there would a lull of some kind somewhere along the line but no just when you think they can't top or even equal the previous tuneage, they go and prove you wrong. This song has great rolling intricate riffs for guitar enthusiasts with big thundering riffs whilst never losing the melody which is truly phenomenal from Myles. 10/10
Make it Right - Starts off acoustically with steady pace and Myles singing his usual wonderful melody before the main guitars kick in once again with a crisp and beautiful melody. Less heavy and sitting nicely after the bludgeoning of the previous track to give you a little respite from heavy riffing but not from killer melodies which are still there in abundance. The song soars vocally and gradually gets a little heavier with Myles providing "wooooahhs" behind his own vocals in the chorus which sound very catchy indeed. The solo once again is spine tingling and I'm slowly running out if words to say without sounding completely gushing in praise. 9.5/10
Wonderful Life - A soaring ballad with an amazing vocal from Myles once again. The music is very atmospheric and wonderfully lush and semi orchestrated sounding. This song is all about huge vocal melody and not so much in the way of guitar acrobatics. Nevertheless it is just a gorgeous and uplifting song and very heart rending. Incredible song after incredible song. 10/10.
I Know it Hurts - After the previous ballad you would expect a heavier tune and this song starts in that vein with the opening thumping riff but the main verses are backed without the heaviness which of course returns in time for the chorus again. The vocal performance is again without flaw from Myles. The melody is one big giant sized hook guaranteed to pull the hardest hearted listener. the mid section of the song has a monstrously heavy riff which grinds away before Myles' soaring vocals again pierce the air with shattering precision and glorious melody. One of the catchiest songs on the album. 10/10
Show Me a Sign - The song starts off with a typical Tremonti heavy lick before slowing down to the opening verse and allowing Myles to once again delve into his box of vocal tricks. The melody in this song is more morose and not so upbeat but no less enticing in any way. The song is heavy and rocks pretty hard with big crunching grooves in the back and Myles wowing the listener in the front. The first solo in the song is a bit different being quite minimal but musically the song is one of the best and most intriguing with lots to devour for the ear. A brooding and moody song with a dark atmosphere. 9.5/10
Fallout - Starts off in typical AB fashion with a thoughtful and non-heavy beginning with jingly, acoustic guitars before the pre chorus whilst the main heavy guitars join Myles in one of his regular great melodies. Once again the song is a vehicle for Myles to spin his web of magic round your ears with a huge melody. The chorus is truly spine-tinglingly awesome. The mood of the song is a bit desperate and downbeat before the midsection goes into one of the best riffs on the whole album with it's great big hulking groove and stomp feel. The solo is once again earth shattering perfect for the song. Could be my fave song on the whole album but how can I say that after so many 10/10's already! 10/10 hehe
Breathe Again - The usual AB formula. Slow acoustic opening before heavy guitars join the chorus. Ok you can say the band is very formulaic but the formula in question is unbeatable so why change it eh. The vocal melody is very memorable and soaring from Myles in this song and hits the skies. Mid song the song improves even further when it goes into a heavier section before once again Myles' vocals reach the stratosphere one one particular note. I'm thinking he might have trouble replicating that live if they play this song. The song is just beautiful. 9.5/10
Coeur D'Alene - A moody opening and sinister start before a great big crunching thunders into view but is soon enough stripped back as Myles enters the fray with his usual bombast. The main crunching riff returns once again to give the song it's heavy backbone during the pleasing and catchy chorus before reigning back again during the second verses. The song is once again flawless in every possible way. At the heavier end of the AB spectrum but nevertheless with melodies that will stick like super glue. 10/10 How many is it now?
Life Must Go On - A soaring ballad after the heavy previous song. What else can I say about Myles Kennedy. The guy is just something else. Once again he's floored me with his vocal melodies in this emotional ballad. It is acoustic in feel but they are backed by electric guitars during certain parts and of course the chorus which is just brilliant once again. Do they ever run out of epic emotional melodies? It seems not. 9.5/10
Words Darker Than Their Words - The second song that was released early from the album and perhaps the only song that really didn't catch me yet. I was hoping for an epic of Blackbird proportions to end the album with but whilst it's a great stab at it, it cannot match Blackbird for greatness. However the song in itself is very emotional and deep lyrically and builds well acoustically allowing the song to breathe before setting down to the usual guitar groove that Tremonti is the master at. The vocal melody in the chorus is merely great rather than the amazing things we've heard in the previous songs. A slightly disappointing end but for anyone else this is a work of genius but AB have already performed miracles earlier in the album so all is forgiven. 8.5/10
So there you have it. A band unparalleled in modern rock circles. An almost flawless album.
Slip of the Void - A brooding start before the song proper starts with slow and grinding melodic riffs that let Myles do his thing over the top with his epic soaring melodies. The song is not that immediate but grows quickly to a huge riff and vocal fest. 8.5/10
Isolation - The lead and superbly catchy lead single off the album. It's not for reason that it was chosen as the single as the song is just wondrously catchy. Blessed by thumping mid tempo riffs and lead embellishments from Tremonti before the song breaks into a hugely catchy and goose bump inducing. The solo in the second part is just brilliant although a little too short for my taste. Just a brilliant and flawless melodic tune from start to finish. 10/10
Ghost of Days Gone By - Just when you thought things couldn't get any better they do! This is a less heavy and more melodic tune with wonderful mid tempo before the chorus bridge goes into typical AB style melodic epic song writing. The lyrics in this song are very melancholic as well reminiscing about better days. The song is just beautifully paced and emotional with great instrumental and vocals which build to quite a heavy tune. The "I don't wanna die" line from Myles sends shivers up the spine as does the following solos and vocal melodies. Can one give more that 10/10?
All Hope is Gone - A fairly slow and brooding start before the awesome Myles Kennedy melodies soon start to surface paced alongside the heavy Tremonti atmospherics. The chorus in this song is not so immediate but as a whole the song is a typically enjoyable AB song. The song goes into a heavy groove riff section in the second part which sounds very cool before another one of those great Tremonti solos kicks in this time with greater length which makes the song sound much more epic and better. 9/10
Still Remains - The song starts with a heavy and grooving riff which sounds very cool indeed before Myles' vocals kick in with awesome melodies and so we reach the chorus which is just killer it has to be said. You would thing there would a lull of some kind somewhere along the line but no just when you think they can't top or even equal the previous tuneage, they go and prove you wrong. This song has great rolling intricate riffs for guitar enthusiasts with big thundering riffs whilst never losing the melody which is truly phenomenal from Myles. 10/10
Make it Right - Starts off acoustically with steady pace and Myles singing his usual wonderful melody before the main guitars kick in once again with a crisp and beautiful melody. Less heavy and sitting nicely after the bludgeoning of the previous track to give you a little respite from heavy riffing but not from killer melodies which are still there in abundance. The song soars vocally and gradually gets a little heavier with Myles providing "wooooahhs" behind his own vocals in the chorus which sound very catchy indeed. The solo once again is spine tingling and I'm slowly running out if words to say without sounding completely gushing in praise. 9.5/10
Wonderful Life - A soaring ballad with an amazing vocal from Myles once again. The music is very atmospheric and wonderfully lush and semi orchestrated sounding. This song is all about huge vocal melody and not so much in the way of guitar acrobatics. Nevertheless it is just a gorgeous and uplifting song and very heart rending. Incredible song after incredible song. 10/10.
I Know it Hurts - After the previous ballad you would expect a heavier tune and this song starts in that vein with the opening thumping riff but the main verses are backed without the heaviness which of course returns in time for the chorus again. The vocal performance is again without flaw from Myles. The melody is one big giant sized hook guaranteed to pull the hardest hearted listener. the mid section of the song has a monstrously heavy riff which grinds away before Myles' soaring vocals again pierce the air with shattering precision and glorious melody. One of the catchiest songs on the album. 10/10
Show Me a Sign - The song starts off with a typical Tremonti heavy lick before slowing down to the opening verse and allowing Myles to once again delve into his box of vocal tricks. The melody in this song is more morose and not so upbeat but no less enticing in any way. The song is heavy and rocks pretty hard with big crunching grooves in the back and Myles wowing the listener in the front. The first solo in the song is a bit different being quite minimal but musically the song is one of the best and most intriguing with lots to devour for the ear. A brooding and moody song with a dark atmosphere. 9.5/10
Fallout - Starts off in typical AB fashion with a thoughtful and non-heavy beginning with jingly, acoustic guitars before the pre chorus whilst the main heavy guitars join Myles in one of his regular great melodies. Once again the song is a vehicle for Myles to spin his web of magic round your ears with a huge melody. The chorus is truly spine-tinglingly awesome. The mood of the song is a bit desperate and downbeat before the midsection goes into one of the best riffs on the whole album with it's great big hulking groove and stomp feel. The solo is once again earth shattering perfect for the song. Could be my fave song on the whole album but how can I say that after so many 10/10's already! 10/10 hehe
Breathe Again - The usual AB formula. Slow acoustic opening before heavy guitars join the chorus. Ok you can say the band is very formulaic but the formula in question is unbeatable so why change it eh. The vocal melody is very memorable and soaring from Myles in this song and hits the skies. Mid song the song improves even further when it goes into a heavier section before once again Myles' vocals reach the stratosphere one one particular note. I'm thinking he might have trouble replicating that live if they play this song. The song is just beautiful. 9.5/10
Coeur D'Alene - A moody opening and sinister start before a great big crunching thunders into view but is soon enough stripped back as Myles enters the fray with his usual bombast. The main crunching riff returns once again to give the song it's heavy backbone during the pleasing and catchy chorus before reigning back again during the second verses. The song is once again flawless in every possible way. At the heavier end of the AB spectrum but nevertheless with melodies that will stick like super glue. 10/10 How many is it now?
Life Must Go On - A soaring ballad after the heavy previous song. What else can I say about Myles Kennedy. The guy is just something else. Once again he's floored me with his vocal melodies in this emotional ballad. It is acoustic in feel but they are backed by electric guitars during certain parts and of course the chorus which is just brilliant once again. Do they ever run out of epic emotional melodies? It seems not. 9.5/10
Words Darker Than Their Words - The second song that was released early from the album and perhaps the only song that really didn't catch me yet. I was hoping for an epic of Blackbird proportions to end the album with but whilst it's a great stab at it, it cannot match Blackbird for greatness. However the song in itself is very emotional and deep lyrically and builds well acoustically allowing the song to breathe before setting down to the usual guitar groove that Tremonti is the master at. The vocal melody in the chorus is merely great rather than the amazing things we've heard in the previous songs. A slightly disappointing end but for anyone else this is a work of genius but AB have already performed miracles earlier in the album so all is forgiven. 8.5/10
So there you have it. A band unparalleled in modern rock circles. An almost flawless album.
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