Saturday, 3 June 2017

Fates Warning Live

Never seen the cult American prog metal legends before so I thought let me give them a shot. I used to own and like Parallels but I've never fully been able to really get into this band for some reason. It just never clicked with me and even the latest album which everyone sings the praises of never managed to float my boat in the end though it does sound very good indeed. But I gave them a good chance to see if things may change in the live setting.

There was a support band called The Riven with a nice young blond lady at the front. The bass sounded like Maiden but the music has a blues pop/rock flavour. Not bad but nothing really for me to get excited about and check more of. It's always nice to watch a pretty, young blond gal head banging and dancing though!

Fates W, after quite a long time of waiting around, finally took their positions and launched into the opening cut From The Roof Tops. You could immediately tell these guys were seasoned pros as they played so tight and skillfuly. The mastery on their respective instruments was there for all to see. Life in Still Water was particularly catchy and well received from the surprisingly busy Underworld. Special mention for the crowd actually which topped 300 no doubt. I was expecting about 150 die hard progsters but I guess it being a Friday night helped and the crowd was very healthy indeed.

Even Ray commented from the stage that the band was very pleased with the crowd and that it was more than double the last time they played this same venue ten years back. It seems their stock is rising a bit. Their material is played with quite a lot of emotion and mood or darkness shall we say compared to other prog metal bands who go for technical wankery etc. These guys know how to pace and create mood whilst still showing off their skills. Front man Ray Alder was in fine voice and I guess that has something to do with giving up smoking as was pointed out to me by a friend at the gig.

Not being fully aware of what song is what slightly dampens one's enjoyment of a gig but with Fates Warning you can just wallow in the atmospheres they create and the somewhat stop start riffage which they sometimes employ. I couldn't point out highlights but the skill and performance level of the band is very good no doubt. I just can't personally connect with any of the tunes in any big way which is my problem I guess. I can't fault the band's skills or delivery but I guess their material doesn't quite have the catchiness that I'm really looking for in my metal music.

The band played for around 90 minutes and gave their devoted followers their money's worth that's for sure. FW will probably always remain a cult prog metal band but you can't deny so many decades worth of experience and musical skill. I've seen them once now so that will be it with me and FW. I'll leave them to their appreciative and vociferous fan base...

From the Rooftops
Life in Still Water
One
A Pleasant Shade of Gray, Part III
Seven Stars
SOS
A Handful of Doubt
Firefly
The Light and Shade of Things
A Pleasant Shade of Gray, Part IX
A Pleasant Shade of Gray, Part XI
The Ivory Gate of Dreams: VII. Acquiescence
The Eleventh Hour
Point of View

Encore:
Monument















Kiss - Live at the O2 Arena

Back at the O2 again so soon after the 2 Maiden shows to see Yank giants of rock, Kiss. To say I am not a huge fan of Kiss would be an understatement as I don't own even one Kiss album and I'm not that familiar with many of their classic songs. I sort of know them in my brain if I hear them again but I can't really recall them without hearing barring about 4-5 of them. 

Anyway I still went to my second ever Kiss show as I had the day off still from the weekend and it's fun to see this larger than life band and have another party before reality kicks in the next day. I had a seat on the upper deck but to my surprise the O2 was very very far from sold out unlike Maiden who sold the place out twice in a row. I'd say the whole of the upper deck of the O2 was not even half full at show start time. The lower deck was almost full and the floor standing was pretty full so I'd guess the crowd at around 12-13,000 in a venue that holds 20,000. Maybe it was the fact that it came so close to two sell out Maiden shows and it was also a mid week date so the attendance was less than expected. 

A support band called The Dives were listed. It turns out it's Paul Stanley's son's band. Nepotism in full force and effect though I guess Maiden know all about that! I checked The Dives out on youtube. Not my cuppa so I entered the venue after they had finished and sat ready for the world's hottest band to lick me up if you pardon the expression. I actually moved from my allotted seat to a spot much closer to the stage on show start since there was so much space.

The crowd was excited and ready to party, make up was on, platforms were donned, guitars were strapped and the band was already firing on all cylinders as they started off with Deuce with Gene singing. Now Gene has a voice that's as rough and ready as they come but he surprised me with how good he sounded. He sounded rough but good if you catch my drift. The rest of the band were sounding good and the stage show was full of pyrotechnics and loud bangs etc as songs reached fever pitch.

We had about 30 seconds of silence for the Manchester concert victims as Paul made a heartfelt speech about the events that night. But the show was about partying and having fun and letting go of everyday troubles. Songs were made to be sung along with and danced to with a larger than life band on stage giving it the big one all night. Songs came and went and were lapped up. Gene spat blood, breathed fire, Paul flew into the crowd. Every old Kiss cliche was there in full effect make no mistake. You wanted the best and you got the best, that's Kiss. Fave songs of the night for me were Crazy Crazy Nights as usual, love that no matter what. God of Thunder was crazy with Gene being a maniac. War Machine was heavy and cool. Psycho Circus was very catchy with Paul singing from a plinth in the crowd which he flew to on a pulley from the stage. Last song of the main set was the awesome sing along Rock and Roll All Nite which everyone sang with of course.

Then we had the encore of two stone cold Kiss certs with I Was Made For Loving You and Detroit Rock City before the outro tape played God Gave Rock and Roll To You and it was all over. I would've actually liked to have heard that live as the last song of the night. Anyway Kiss are still a solid live band. However Paul's voice is more or less shot. He sounds very hoarse at times or plain weak. Maybe it was the last night of a long tour but his heyday is long gone it seems. All that screaming and singing takes its toll in the end. Still I don't think Kiss fans care too much, people just wanna have fun at a rock n' roll show and Kiss gives'em what they want and then some!

Don't know If I'll ever see Kiss again but if it's the last then it leaves a good memory of a band that's all about having fun and rocking out and not giving a fuck every night for two hours!

Rock and Roll
(Led Zeppelin song) - on tape
Deuce
Shout It Out Loud
(Moment of silence for… more )
Lick It Up
I Love It Loud
Firehouse
(Gene breathes fire)
Shock Me
(Tommy on lead Vocals)
Guitar Solo
Flaming Youth
Bass Solo
(Gene spits blood, flies into the air)
God of Thunder
Crazy Crazy Nights
War Machine
Say Yeah
Psycho Circus
(Paul flies into the crowd)
Black Diamond
(Paul returns to main stage)
Rock and Roll All Nite

Encore:
I Was Made for Lovin' You
Detroit Rock City
God Gave Rock 'n' Roll to You II - outro tape














Monday, 29 May 2017

Iron Maiden - Live at the O2 Arena - May 27-28, 2017

Well if the legends that go by the name of Iron Maiden are playing twice in a row you might as well make the most of it and see them both times. Splash the cash, bite the bullet and be a good sucker haha! It'll be a couple of years at least before I get a chance to see them again that's for sure and probably it'll be closer to 3 or 4 years before another chance so make hay while the sun is out as they say or some such thing!

The first night was sold out in double quick time but I got priority tickets but unfortunately I missed the really closer seats and got some on the top tier but directly in front of the stage. I missed most of Shinedown but it was no great loss really. Brent Smith has a great voice and they have some cool tunes but it's just not a good fit for Maiden at all really. There's general apathy from most of the crowd although they are treated well enough compared to some bands I've seen supporting Maiden. I remember Trivium getting terrible abuse a few years ago when they were more in their metalcore days.

Going back to Shinedown Brent Smith really talks far too much between the songs but I already knew that having witnessed his preachy banter a couple of times before in their smaller gigs. It really gets a little too much to be honest when you're talking for more than 5-6 minutes and not playing songs. I figured I'll see the whole of their set on the Sunday and wasn't worried about the Saturday set as I was with a friend for Saturday. Shinedown were OK but forgettable in the main. The sound wasn't too great for them either being bass heavy and echo-y. Brent's vocals were fine though. The man is a powerhouse singer that's for sure and a commanding front man.

Finally at 8.50pm on the dot the familiar opening to Doctor Doctor starts up through the PA and the Maiden nutters start to get psyched for the old warriors return to London after having last played at this very venue back in 2013. The set list then was about as far removed from now as it's possible to get. Of course this is still the Book of Souls tour that started way back in 2016. Still you know what you're gonna get before you buy your ticket. Songs from Book of Souls and yet more songs from Book of Souls with a few classics in between.

I was quite enthusiastic about that album when it came out but I think hearing the songs live now, I think I may have been a bit over generous in my enthusiasm for it. The set opens with If Eternity Should Fail which in my eyes is just an OK song with an OK chorus. However the band is energised and does a sterling job of convincing you that they really mean business. The first night I sat in my seat over 60-70 meters from the stage it's hard to get over excited or head bang too hard but the second night I was stood 5 meters from the stage and you can see the band is truly enjoying themselves. This feeds into your enjoyment more as the crowd member and helps create a better feeling on certain songs in any case.

The set continues with more songs from BoS of course, With the ripping Speed of Light coming across better live than on record. The first departure into ancient realms occurs with the coming of the hellbent and aggressive Wrathchild played very ferociously which I witnessed at first hand much closer on the second night. All the better for viewing up close on this particular song.

The band continues with another old classic in Children of the Damned. The old bastards in the house which number plenty obviously lap that one up. Bruce sounds great on that epic and very cool it seems that song is a perfect fit for his modern voice and doesn't test him greatly. It seems the song is quite a comfortable song for him to sing unlike say The Trooper which is a real test. Bruce talks in between songs about this and that, etc and obviously about recent events in Manchester etc. Every concert the world over is gonna mention that one.

It's funny when you go to a concert two nights in a row. You wonder will he mention the same things again and he does pretty much but he does change it around a bit. I guess he realises that many people attend both nights so he doesn't want to completely repeat himself all the time with the same old cliches.

They move on from the old school and revert back to BoS material soon enough as we get Death or Glory, a tune which does little for me to be honest but it's OK and nothing I positively dislike. I'd just so much rather hear a classic, but it's the BoS tour and we must hear those songs. The first actually great song from BoS, namely the mid album epic The Red and the Black soon surfaces and is the first long song of the night. The instrumental section is a sight to be hold, the crowd wooaahh woaahs on cue and the melody is captivating. The first night sitting in my seat it was a great sight to see a 20,000 crowd singing as one to that one. That's one thing you miss when you're right up close as I was on the second night. It almost feels like you are in a small crowd of about 500 down the front or something and although you can see the whites of their eyes you somehow miss the full atmosphere behind you. The good thing is I sampled both on consecutive nights. So TRaTB was a real great effort and the first truly cool moment from BoS which every one loved.

We had to delve into classic territory after that with The Trooper and Powerslave.  The Trooper has been played thousands of time by now but it still gets you pumped as hell even though I'm sure it's a real test for Bruce and he does sound a touch strained but no one cares and the energy is through the roof. Powerslave's melodic gallop follows and is a song that every Maiden fan loves. Let's mention Mr Harris since we haven't already. Band leader extraordinaire is a truly inexhaustible guy. He runs heer and there pointing his bass machine gunning as usual and mouths near enough all the lyrics at the front rows. The guy is Maiden's spirit personified. His subtle bass licks are of course very prominent and make the Maiden songs the classics that they are.

Since were' talking about the instrumentalists let's quickly mention them all. Adrian is "Steady Eddie" of the group, playing rocking riffs with no shenagins and ripping leads with not too much smiling. He's the anchor in the band keeping it real as they say haha! Dave Murray is understated Mr Smiley doing a few pirouettes and generally "Mr Grin features" although out of all the guitarists he's the one who looks the most tired of all the touring maybe. His leads sound a bit one dimensional too at times but he's very much adored by the fans for his genial stage persona. That leaves Janick to act the band clown. Pull shapes, dance, play backing and have the odd solo. He mainly does guitar tricks and acts the complete fool, but you know what there's nothing wrong with that. It's actually funny to watch and he doesn't seem to take everything that seriously. That leaves Mr McBrain on the drums or Mr one foot wonder as some call him but all I know is that the guy is solid. Let's just say he's Mr Dependable. No one complains about Nicko and he does his job with an affable smile and has a whale of a time.

Moving on we have two more BoS songs to get through. The Great Unknown and the title track. The former track is a recent addition to the set list but sadly it's not a great song and seems to pass by without much fanfare at all. Another classic would have been so preferable indeed. The title track however is a monstrous epic and must be played of course in a tour of that name. The song builds and builds and the band sounds great as the song pounds away and then the hammering speedy riff takes the song to a great end from the halfway point onwards.

The song is followed up by the crowd pleaser that is Fear of the Dark. It seems this song is sacrosanct and can never be dropped from the modern Maiden set list. I must admit I have heard it every time I've seen Maiden which is at least 8-9 times and if it was dropped it wouldn't be the end of the world. But you know what - when those familiar opening strains start off it's still magical and the hairs on the back of your neck stand up. It's probably one of the best Maiden songs in a live setting. Just when you thing nahh this shit's getting old you still get that amazing pumped feeling with the energy and woooaahh section and the Fear of the Dark chanting section. Epic!

The main set ends with another song that they seemingly find impossible to omit, which is of course the self titled song from the debut. I can see why they play it as the fans just love it. The energy, the melody and the slightly punky feel. Steve Harris bellows the lyrics with immense gusto on that one. The crowd participation is again extravagant. People just love this song. Personally I'd prefer to hear the return of 11.58 or Aces High but I guess that's for another tour.

The second song in the encore sees a fairly long speech by Bruce on both nights, pontificating the same thing about unity etc and not caring what colour creed or religion we are and that we're all blood brothers that's why we're here. You get the drill! Having said that the band backs it up and the song sounds immensely powerful with the whole arena singing that one back at Bruce. The song itself has emotional melodic sections and very nice delicate solos. I must admit it is one of my fave live songs of the night and well worth to hear it sung by near enough the whole crowd. I actually enjoyed it more from my seat on the first night for this particular song as you can see the whole arena participate.

At the end of Blood Brothers, Adrian quickly starts that melodic motif and you know we've reached the final song of the night which is the very melodic and catchy Wasted Years. Indeed one of the best and most sung with choruses on the night. But the song doesn't have a last song of the night feel about it. The end song should of course be Hallowed but the band has decided to drop it from the set list due to the ongoing court case with regard to copyright infringement. From everything I've read the guy suing Maiden has never said the band can't play the song but it turns out every time they do play it they have to pay a few hundred quid royalties to this guy or something along those lines so they've made the decision to drop it for the time being. I read another rumour on Maidenfans forum saying that Bruce was having difficult singing the song and maybe they used the litigation case as a front for dropping the song. It's probably a bit of both who knows, but all i do know is that the song voted the best Maiden song of all time and my personal fave song by them ever is not currently part of the set list. This is absolutely a shame and it better restored soon as a Maiden gig however great it may be, is incomplete without Hallowed IMO. It may have been played to death but we go to Maiden gigs to hear Hallowed. Simple as. Sort this shit out haha!

Anyway I enjoyed my 2 night stint with the mighty Maiden. They may be knocking on a bit and the movement around the stage is not as rapid and slick as it once was but the ambition and power of delivery is as good as ever. Next time do a greatest newer hits set list with the best songs from 2000 onwards and I'll be there like a shot. Who am I kidding..I'll be there like a shot next time whatever the fuck they play! Up the Irons!

Doctor Doctor
(UFO song)
If Eternity Should Fail
Speed of Light
Wrathchild
Children of the Damned
Death or Glory
The Red and the Black
The Trooper
Powerslave
The Great Unknown
The Book of Souls
Fear of the Dark
Iron Maiden

Encore:
The Number of the Beast
Blood Brothers
Wasted Years













 



Wednesday, 24 May 2017

Inglorious Live at the Islington Assembly Hall

I am a latecomer to the Inglorious camp. The first album failed to make any significant impact on my listening habits but then I heard a new song and then another and slowly slowly I started to fall for this classic English rock band fronted by the amazing vocalist Nathan James. When I saw that they would be playing IAH and launching their new album, the safely titled "II", I thought I better grab a ticket for this. Good job too as the gig was more or less sold out with what must be not far from 800 in attendance.

I had seen the support band listed as Mason Hill and Gypsy Heart and I actually checked both out on youtube beforehand to get a handle on their music. GH sounded a bit soft and countryish whilst MH sounded really, heavy groovy and cool.

Gypsy Heart it turns out only played as a duo as two other members of the band were absent. That left a young gal with a nice earthy voice and a guy on acoustic guitar. Pleasant and nice on the ear overall with heartfelt emotional songs but people were here for ROCK and GH didn't quite provide that this time but nice vocals anyway from the young lady.

Scots Mason Hill were up next and were a whole different kettle of fish. These guys know how to rock and then some. Big old grooving riffs and emotional classic vocals was the order of the day. Part modern and part old school but never dull at all. The singer held the tunes together wonderfully well whilst the two guitarists churned out classic bendy riffs and solos galore. This band really deserves to get much bigger and I think most of the Inglorious crowd were well chuffed with their performance. The singer may lack some of Nathan's charm and melodic swagger but they have so much power and attitude that it easily makes up for any shortcomings they may have vocally speaking. They dedicated one song to Chris Cornell and soon enough their short but excellent set came to a close and was received with a great response from a packed floor.

At 9.30 precisely the intro music started out over the PA and strangely enough it was the theme tune to Grandstand! UK sports fans will know that tune inside out haha. The band took to their positions and finally the larger than life big man with the huge voice Nathan James took his spot and started belting out opener Read All About It which is from the debut I believe. Not being a fan of the debut I didn't know these songs well or even at all but I was still blown away by the delivery and poise within the band.

Inglorious are one of those bands were the live vibe far super cedes the recorded output. They just seem to come "alive" so to speak. On CD they can tend to sound a bit weak or lacking in bite or energy but no such issue exists in the live arena. The two guitarists are ace in the holes as is the rhythm section who bolster the riffing with a solid heavy backing.

In the end it's all down to Mr James who has the crowd eating out of his hand from the first note till the last. To say the guy is a confident front man would be an understatement. The guy has a booming and commanding soulful voice though some of his dance moves are a bit "dad dancy" but I'll forgive him!

The voice is just too good for words. The guy oozes class and brings so much power and soul into his lyrics and with a fantastic set of new tunes you couldn't go wrong with this gig. More than half the new album was played including some of the more rocking tunes which I love like Hell Or High Water and the rollicking great High Class Woman which closed the main set. In between we had a rather poignant and glorious two song acoustic interlude including a beautifully heartfelt tribute to Chris Cornell with Black Hole Sun and then a great cover of Purple's Burn as well. Both were majestic and the crowd really loved them.

Inglorious is definitely a band going places that's for sure and Nathan says that their manager told them that if they sold out tonight they would be in a bigger venue still for their next date in London at the larger Electric Ballroom and of course the IAH gig was pretty rammed.

The encore started with the super catchy I Don't Need Your Loving which was actually sang back at Nathan by most people in the crowd as loud as ppossible. Nathan even ended up in the crowd for one song singing with everyone as he was serenaded by everyone close by. Like I said before Inglorious is a new and upcoming classic rock band to be reckoned with. I'll be at their show at the Ballroom in a heartbeat after this awesome album launch. Anyone who enjoys soulful vocals halfway between Coverdale/Hughes seriously needs to give Inglorious a listen and catch them live too as they fully come into their own in that environment. Inglorious? Simply glorious!


Read All About It
Breakaway
High Flying Gypsy
Black Magic
(Live Debut)
Making Me Pay
(Live Debut)
Change Is Coming
(Live Debut)
Hell or High Water
(Live Debut)
Warning
Inglorious
Black Hole Sun
(Soundgarden cover) (Acoustic, tribute to Chris Cornell)
Burn
(Deep Purple cover) (Acoustic)
Taking the Blame
Girl Got a Gun
Faraway
(Live Debut)
High Class Woman
(Live Debut)

Encore:
I Don't Need Your Loving
Holy Water
Until I Die